Misplaced souvenirs.
A pile of paper scraps to
remind her of something she was once
– a museum go-er, a concert
participant, a
lone train traveler wedged between the two
youngest children from a family of five. Her cache
of carefully kept stubs and flyers.
Displaced artifacts and
forced memories and the assurance of
This is where you’ve been.
My father stole 300 napkins from the Waldorf.
He packed them safely into his suitcase
and brought them home for his family to use at
mealtime.
My mother couldn’t imagine her husband of
25 years alone on the hotel’s double bed or
stuffing thick paper napkins with gold dragons
and lettering into the folds of his khaki pockets.
But I am not interested in them;
so remind me of who I was
once. Describe the person I was when you
were no longer around.
Maybe
there is a polyester dress and black tights,
with one large hole running along the
inner left thigh, underneath. And shoes:
one or two pairs in neon canvas you can imagine
me, on the streets of Paris, wearing. And the backdrop:
a sweet smell of fresh bread and cigarette smoke.
Crumbling concrete, piled trash and
the unapologetic traffic that refuses to
halt for the figure
only you remember.
1 comment:
Yeah, that's Paris.
Okay, I'm terrible at analyzing poetry, and I forget the term for this, but I love how this poem stops mid-thought each line, so that almost every line takes on a double meaning. It seems very appropriate here. A kind of hesitant statement, where every additional phrase piles one meaning to its predecessor.
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